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py T*all 111 <br />rr . <br />a <br />vim_' <br />r� ■ <br />Karl Unnasch's sculpture"Ruminant (The Grand Masticator).' Installed in Reedsburg, WI as part of the Farm/Art DTour public art roadside tour, 2015. <br />Photo credit: Aaron Dysart. <br />REASONING: <br />Enhancing the identity and character of communities through public art directly supports <br />cultural tourism and economic development strategies, which can both retain and attract <br />residents. In addition, incorporating public art into private development can be a way for <br />buildings to stand out as developers and managers look for renterswhether businesses or <br />residents. The attention public art can bring to a development project can be calculated. A <br />healthy public art ecosystem also drives the growth of new businesses. <br />EXAMPLES-, <br />Reston Town Center in Reston, Virginia has a less than one-half of one percent (0.5 percent) <br />office vacancy rate in a region where the average office vacancy is 16-18 percent. Real estate <br />broker Joe Ritchey attributes the low vacancy rate in part to the permanent and temporary <br />public arts located in the Center. (Public Art Spurs Economic Development). <br />Indianapolis, Indiana has seen the growth of two new manufacturing businesses that have <br />either branched out or sprung up anew to handle the demand for the fabrication of public <br />art and employing people in the process. <br />The Farm/Art DTour in Sauk County, Wisconsin generated tourism in the area with an esti- <br />mated 4,200 visitors —over 65% of whom traveled over 50 miles to see the installations <br />which helped to increase the revenue of many local businesses; some of whom saw reve- <br />nue increases as much as 300%. <br />In Nashville, projects over $150,000 are estimated to distribute two-thirds to three-quarters <br />of the budget back into the local economy via fabricators, installers, art handlers, electri- <br />cians, landscape architects, concrete companies, and other locally -based businesses. <br />Public art projects have boosted cultural tourism, including an influx estimate of $1 bil- <br />lion from ChristoIs and Jeanne-Claude's the "Gates" in New York's Central Park and the Bay <br />Area Lights on the San Francisco -Oakland Bay Bridge —with an informal economic impact <br />assessment conservatively estimated at $97 million dollars added to the local economy. <br />DATA: <br />70 percent of Americans <br />believe that the"arts improve <br />the image and identity" of their <br />community.* <br />Half of people with college <br />degrees (49 percent) and a <br />majority of Millennials (52 <br />percent) and Generation Xs <br />(54 percent) say they would <br />strongly consider whether a <br />community is rich in the arts <br />when deciding where to locate <br />for a job.** <br />Arts, culture, and creativit <br />can improve a community's <br />competitive edge, attract new <br />and visiting populations, and <br />integrate the visions of both <br />0 <br />community and business <br />leaders. <br />*Americans Speak Out About the Arts, 2018 <br />"Americans Speak Out About the Arts, 2016 <br />