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ments taking place city-wide,this is one strategy for improving the geographic <br /> distribution of public art. <br /> 3.6 Protect public art works city-wilde,through proactive maintenance and conservatlon <br /> Toronto has built a globally-significant body of public art work, but its durability <br /> and impact are limited by a lack of resources dedicated to maintenance and <br /> conservation. Maintenance and conservation are cornerstones of the collections <br /> management program of any professional museum or collecting institution. This <br /> same principle is recognized as a best practice for public art programs. Ongoing <br /> care and stewardship of public art collections is respectful of the work of artists, <br /> and helps to ensure that works continue to make a positive impact on the public <br /> realm over their lifespan. <br /> This action calls for the City to develop a proactive maintenance and conserva- <br /> tion program for the City's Public Art and Monuments Collection. To achieve <br /> the best results, EDC should count a professional art conservator among its <br /> staff.A conservator is best positioned to oversee regular preventative treat- <br /> ments to keep the City of Toronto Public Art and Monuments Collection in <br /> good condition, and respond to vandalism and perform repairs in a timely <br /> manner, and oversee the deaccessioning of works in a way that is respectful of <br /> the moral rights of artists. This position will play an important role as a liaison <br /> between the collection and operational divisions with the City, such as Parks, <br /> Forestry and Recreation,to help maintain works in a state of good repair.The <br /> conservator can also develop and share tools and guidelines with other City <br /> divisions and external partners to support their efforts to maintain works that <br /> fall under their care. <br /> Toronto Public Art Strategy 2020/2030 45 <br />