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Agenda - Parks and Recreation Commission - 01/09/2025
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Agenda - Parks and Recreation Commission - 01/09/2025
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Meetings
Meeting Document Type
Agenda
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Parks and Recreation Commission
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01/09/2025
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regard to public art. Critics argue that multi-faceted public consensus regarding public design <br /> increasingly leads to the continued aestheticization of public art, often at the expense of <br /> achieving a higher purpose. <br /> The connection to the community is importance to the acceptance of public art. <br /> Controversy is an uncomfortable position for most public officials, and public art can be <br /> criticized when its identity is seen as unrepresentative of the local public (McCarthy, 2006). <br /> Tension may also develop when the subject or form of the public art is inaccessible to residents <br /> (Senie and Webster, 1992), or when there is a conflict between the artist's private vision and that <br /> of the local community(Petro, 1992). The value of public art in small cities is often found in <br /> developing and expressing the sense of place, sense of identity, and sense of community rather <br /> than disrupting the status quo. <br /> The study of public art in small cities is important because small cities have fewer <br /> resources, and a more captive audience of creators and consumers of public art than its large <br /> urban counterparts. In a small city, the connection between public policy makers, public <br /> administrators and the public is direct and immediate. The discussion of whether the city should <br /> help fund a public arts initiative is necessarily weighed against whether the city should do things <br /> like hire more firefighters, fund more police offices, or fix the potholes in the city streets. <br /> Consequently, it is essential to align public art initiatives with the existing local culture, <br /> economy, and sense of place if the art is to be accepted and valued as part of the community. <br /> Cross-sector collaboration is an important component of community alignment. Making these <br /> connections across sectors (e.g., public, private, non-profit)build relationships within <br /> communities that support and foster public art initiatives. <br /> 18 <br />
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