|
The artist failed at a legal challenge to the GSA ruling. Both proponents and opponents
<br /> of the sculpture argued that they were advocating for "the people." In reference to the decision
<br /> to remove the sculpture, Clara Weyergraf-Serra cautioned against a government intervention that
<br /> could be a textbook example of what Stuart Hall terms "authoritarian populism": the
<br /> mobilization of democratic discourses to sanction, indeed to pioneer, shifts toward state
<br /> authoritarianism." (Deutschl996, p. 266) The artist, and the opponents to relocating the
<br /> sculpture, argued against government censorship and for the artist's right to enjoy freedom of
<br /> expression. Ultimately, the case confirmed the power of the state to determine the definition of
<br /> public use upon land that it controlled.
<br /> y rii d r�wodui ;,,, J s ru
<br /> JI
<br /> i
<br /> u
<br /> � D�� sir r� i l✓�„ui � ✓" �', r r Yi !�IIa II
<br /> i
<br /> rr.q (ri mi �� � u^,�r.,y N, ��"� ui Fu u�iai oY r wren, yrrrdr N e� ����j('' ➢ ,,,
<br /> Y m lr it
<br /> w
<br /> wi
<br /> r
<br /> u �J�yJ IIrr
<br /> a`'
<br /> �� ==r u, �»lid i ��a��> ',i "II � ��' I, y, r,� !, '�l i�p°ivu�✓.G iiir�im��c WU�;�w
<br /> fd; ill N„ "y ,rx� f f✓� u �ur
<br /> I
<br /> r
<br /> Y1
<br /> ,1 ��;r � ,. ,�' ,,..( �, �,;°„�, ,,.� `y�,'„I� oy�uu;�U U�,�r,„r,. ;u���w �i v�J�... am b:�(✓ei IY, �!r f���� Uy J u.,s�'� i . dk,' �her i „�,� r,�
<br /> 1
<br /> w �
<br /> ^ ui
<br /> N i�rr
<br /> r i IB
<br /> v �r
<br /> rrl 11'�Cr it m
<br /> r
<br /> � ;,r� 1, �,��✓,;d �i;�....,,,�', �r WY��nu�'✓aril I�I(N�r�11 mu,d��drfi�rrq '�f�,,��, �;�Nu�ryl'7�IMl�1�il^ «wvivM ,�, r
<br /> «,z,,,
<br /> v
<br /> ,s�i� ws�Nu^Y it✓J ,,, ��i���fl� ✓,/ak/r"�� �r�prawau� %�1 � '�Ulif�
<br /> o ,.„ i i � ✓, '� � � Ifmmn ii riulfiry�,✓✓Yei �i /,din,,;� � y -..
<br /> ,�,� �, r .,, � �m f,v o�oiv�rr//�✓�JJI�,(ff�i�ffrw�uri>;/1/A,�/„ns�i//��,Iff/,,, r �'�4>��� ��' ,,, ,�,
<br /> ate,„�,ra,�,s �:: r, i''�m Yur rrar'ii i rdr/A�i1 i,✓a
<br /> as ,,, ✓� ,;,,��,,,� -,,,,„ �i�+al�'«riiq�G//1/"�'i ii i%/�
<br /> �m.,aow� drib., y�: ,,,mm i�,.. � r r ✓ i
<br /> ,�" Um ,,,;,,. ,��e� ,,,,,,,,,,,iiriiaiw�;;, � w sauurdumoNnuu✓ra dry »y�✓y� r i �prrr / ✓�yry�f i J ii
<br /> �ru�irii�rtrrtrrrrmm�mr�✓✓✓✓✓✓✓✓✓✓✓rrvc:� �,� nY( ��, "'^q�,ui.,,,,. `;r.` i✓ ✓i�, �lin ,�li%1j /�'
<br /> „. v ar
<br /> Figure 3:
<br /> The controversy surrounding the removal of the Tilted Arc paved the way for the shift of
<br /> public art toward community-based public art projects. Miwon Kwon (2002) described the
<br /> 53
<br />
|