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Iical way to increase the efficiency, usefulness and flexibility of <br />public-address and paging systems, or tape recorders using more <br />than one microphone or other sound source. (One prime ex- <br />ample: extra microphones can be placed in the audience for <br />Iquestion-and-answer sessions.) These mixers are unique in that <br />they satisfy the re. quirements of most sound system installa- <br />tions and serious [ape recording enthusiasts, while being light <br />enough to be portable, simple to operate and modest in cost. <br />leach microphone (or other sound source) can be independently <br />balanced for volume without affecting any of the other inputs. In <br />addition to independent volume controls, a master volume con- <br />trol simultaneously controls the gain of all inputs. The M68 can <br />therefore be used as a conveniently-at-hand sound system volume <br />i control in situations where the regular amplifier is located some <br /> ~,;distance away. <br /> MOdel M65 Mixero.~nput connections are MALE professional <br />i"three-pin audio connectors* for 120 Volts AC -+10% 50160 Hz. <br /> <br />Model M6$FC Mixer. Input connections are FEMALE profes- <br />sional three-pin audio connectors* for 120 Volts AC ±]0% <br />50/60 Hz. <br />Model M6$FCE Mixer. Same as M68FC, but for both 120 Volts <br />AC +-10% 50~60 Hz and 240 Volts AC ±10% 50/60 Hz with 3 <br />Conductor Cable. <br />Model M68P ]%Iixer. Input connections are phone plug (high <br />impedance only). 120 Volts AC -+10% 50/60 Hz. <br /> <br />REVERBERATION MIXERS <br /> <br />Model M68RM. 4-channel Reverberation Mixer. Female pro- <br />fessional three-pin audio connectors* 120 Volts -+10% AC, <br />50/60 Hz. <br />Model M68RM-2E, Same as M68RM but for 240 Volts -+10% <br />AC 50/60 Hz. 3 Conductor Cable. <br /> <br />*Designed to mate with Cannon XL series, Switchcraft A3 series or equivalent connector. <br /> <br />I <br /> Type: Transistorized. <br />IFrequency Response: Flat +3 db, 40 to 20,000 Hz. <br /> Power Consumption: 3 watts. <br /> Microphone Inputs: Accept Dynamic, Ribbon or Condenser mi- <br />Icrophones (not recommended for crystal or ceramic micro- <br />phones), either high impedance {'unbalanced) or Iow impedance <br />(balanced transformer input), Input impedance for each micro- <br />phone is selected by a slide switch. You can use one type or <br />imodel microphone, or mix several types and impedances. (Model <br />M68P~is High Imped, ance only.) <br /> Auxiliary Input: High level--accepts output of additional M68 <br /> Series Mixer, tape recorder, tuner, or phonograph signal (with <br />iadditional preamplifier). <br /> Controls: Four individual Microphone Volume Controls to raise <br /> or lower the level of sound from each microphone. Auxiliary Input <br /> Volume Control adjusts sound level of tape recorder, phono- <br /> <br />I <br /> <br />Specifications ~or M68 Series Mixers <br /> <br /> graph, tuner or additional mixer. Master Volume Control simul. <br /> taneously adjusts the volume of all inputs. On-Off switch and <br /> Pilot Light. <br /> Outputs: Two outputs: one provides high or Iow impedance out- <br /> put for connection to the microphone input of a sound system <br /> amplifier or tape recorder. Impedance is selected by switch. The <br /> other provides a high impedance, high level output designed <br /> primarily to feed a power amplifier or tape recorder requiring <br /> 0.5 to 2 volts. <br /> Battery Operation: All units can be operated from an external <br /> battery supply. See accessories on page 23 for battery supply <br /> unit. <br /> Weight: Model M68P, 2% lbs.; Models M68, M68FC and M68FCE, <br /> 4 lbs.; Models M68RM and M68RM-2E, 51/8 lbs. <br /> Case Dimensions: 23A'' high, .113/8'' wide, 5V4 deep. (M68RM <br /> 71/4'' deep). UL and CSA listing on models M68, M68FC, <br /> M68P, and M68RM only. <br /> <br /> <br />