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resource for this work is A Field Guide to <br />American Houses, first published by Alfred A. <br />Knopf in 1984 and revised in 2o13. This book <br />has numerous drawings, photos, and descrip- <br />tions of the styles that can be used as the <br />basis for the code language and in evaluation <br />of existing buildings. It is important in doing <br />this to specifically identify style or styles in <br />the district. This makes it easy to review any <br />proposed exterior change to determine if the <br />changes are consistent. <br />Design Guidelines <br />Design standards and guidelines are intended <br />to preserve the existing historic character and <br />prevent any exterior activities that would de- <br />stroy or be inconsistent with that style. The de- <br />sign rules for exterior modifications to historic <br />properties should derive from the documenta- <br />tion of the historic styles in the district. They <br />should address style, colors, materials, and <br />landscape elements that create the district's <br />character, while avoiding overtly subjective <br />elements. The task of developing design stan- <br />dards and guidelines for new construction and <br />non -historic buildings is more difficult. <br />Most current development has an archi- <br />tectural style that is neo-eclectic. The homes <br />are modern interpretations of past styles <br />like colonial, Tudor, or Victorian; while they <br />have some historic style elements, they will <br />never be (ike the historic structures. For new <br />construction, what is needed is a detailed list <br />of the elements that must be incorporated to <br />conform to the desired historic character. The <br />design rules should contain a list of manda- <br />tory elements and a group of optional ele- <br />ments, from which a certain number must be <br />chosen. The jurisdiction should consult with <br />local home builders to ensure the guidelines <br />produce a compatible building that will be <br />marketable in the neighborhood. With builder <br />support it is easier to include vacant lots in a <br />district. <br />Meanwhile, the development of design <br />guidelines for existing non -historic buildings <br />requires a very careful analysis of each such <br />building in the district for style, materials, <br />color, use, type of construction, massing, and <br />existing condition. Condition is important <br />because it provides information about the <br />likelihood that a building will need permits <br />that require the historic board's approval. <br />An assessment of each such building should <br />be developed using the same style and de- <br />sign elements used in the historic analysis. <br />Formulate a design strategy for each type of <br />non -historic building that might seek to add a <br />room or do minor exterior work. <br />The design guidelines should provide <br />clear policy to apply in approving applications <br />for major repair or additions on these build- <br />ings. It a mistake to require them to choose <br />between disinvestment and meeting impos- <br />sibly expensive conversion costs. The experi- <br />ence with nonconforming uses is a caution- <br />ary lesson. Planners originally thought that <br />nonconforming buildings would be torn down. <br />History shows they rarely disappear, and they <br />generally suffer from disinvestment that low- <br />ers all property values in the neighborhood. <br />In drafting standards, a list of enhancements, <br />that have reasonable costs should be devel- <br />oped so landowners have several options. For <br />example, a porch across the entire front is an <br />expensive requirement, but adding some trim <br />to a small existing porch is a more acceptable <br />solution. Avoid requiring major facade and <br />roof changes, as they are very expensive. <br />When style and massing are dramatically <br />different, consider mitigation that'seeks to <br />hide the incompatibility. Two mitigation strat- <br />egies are obvious: color change and landscap- <br />ing. Painting eliminates a sharp color contrast <br />that draws attention to the building's differ- <br />ences. Greenery can hide a multitude of sins <br />because it represents a mass that screens the <br />view ofthe building from the street. Requiring <br />the planting of canopy trees and large ever- <br />greens in the front yard will screen the view of <br />the upper stories of the building. Foundation <br />plantings and understory trees can reduce the <br />ground -level view. The sidebar includes lan- <br />guage that can be used to provide the desired <br />level of mitigation in the design guidelines. <br />Mitigation assumes that non -historic <br />buildings are likely to remain. The idea is to <br />provide actions that allow an owner to make <br />needed exterior repairs or reinvest in the <br />dwelling. it hides the incompatibility rather <br />than eliminating it. These strategies do not in- <br />volve major costs for a land owner. In all cases <br />the effort to address incompatible buildings in <br />the districts should be designed to encourage <br />reinvestment to preserve the economic value <br />of the district. <br />Developing design guidelines for com- <br />mercial areas can be easier as the focus is on <br />street -facing facades. Many historic commer- <br />cial district buildings will be largely compat- <br />ible, with only modest style or height differ- <br />ences. An analysis should look at block faces. <br />If more than 15 percentofa block face is out of <br />the style, the suitability for a historic district is <br />questionable, and the community may want to <br />consider design guidelines without a historic <br />designation. An exception is a building whose <br />facade was "modernized" in the last century. <br />if the business community can be convinced <br />that historic designation and restoring fa- <br />cades will enable the area to generate sub- <br />stantially more revenue, such restoration may <br />be supported. Government grants to assist in <br />the cost makes this more feasible. <br />For new buildings, only the street facade <br />needs review. Height, general window pro- <br />portions, floor to floor heights, colors, and <br />materials are elements that should be the <br />primary focus, as these can be addressed eas- <br />ily in new buildings. The cost of making a new <br />building compatible should not be too great. <br />Some style elements like terra cotta details <br />are very expensive and should be avoided. <br />Commercial uses often use false facades to <br />produce a desired skyline; so this can be a <br />reasonable approach to achieving a matching <br />style. <br />Sample Mitigation Provisions <br />Mitigation. Lots XX, XX, and XX in the <br />historic district have been identified as <br />so different from the styles and character <br />of the district that there is no practical <br />means of making them compatible in <br />style. When any such lot applies for a <br />building permit that involves an increase <br />in the floor area of the building or sub- <br />stantial structural repair, the historic <br />preservation board may approve the <br />application provided the following miti- <br />gation steps are undertaken: <br />.:` One plant unit shall be planted in the <br />front yard for every 1,600 square feet <br />of land area in that front yard. The <br />board shall count existing canopy <br />trees and evergreen trees that are <br />in good health and over 4o feet tall <br />toward the requirements. The shrubs <br />and understory trees shall be in- <br />stalled to maximize the screening of <br />the lower levels of the building. <br />2. The building shall be painted in ap- <br />proved colors for the district to better <br />match the adjoining buildings. <br />ZONING PRACTICE 4.17 <br />AMERICAN PLANNING ASSOCIATION I page 4 <br />