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belonging to the public, it thus must represent the public's interest. Reinforcing this idea, Fleming and <br /> Goldman (2005) summarize the outcomes of two federal public art programs stating"The National <br /> Endowment for the Arts'Art in Public Places Program collapsed because it remained stubbornly out of <br /> touch with this reality.The General Services Administration's Art in Architecture Program, on the other <br /> hand, has thrived under a new model that recognizes the difference between gallery art and public art, <br /> and that takes account of the sensibilities of the people who will have to see the artwork every day." <br /> The common practice for this component is to have a public art review authority which represents <br /> broad community interests and technical expertise related to the creation of public art.This body is <br /> typically responsible for the approval of public art projects, artist selection, and the selection of sites for <br /> public art. <br /> Funding <br /> Funding is an important component of any public program and is recommended to be addressed <br /> in the master plan. Seven of ten public art programs reviewed are funded by a percent-for-art program <br /> that dedicates somewhere between one-half to two percent of the value of capital construction <br /> projects, and private developments in some instances, over a certain dollar amount to public art. This <br /> money is typically placed in a public art fund and covers administration, acquisition and construction, as <br /> well as maintenance, insurance, and other costs. Percent-for-art programs often provide that a <br /> developer may contribute to a public art fund, in lieu of actually commissioning public art.The survey of <br /> public art programs found that programs housed in government agencies received 91%of their funding <br /> from government sources, with 58% receiving their funding from a dedicated percent-for-art revenue <br /> source, at an average budget in fiscal year 2001 of$911,594 (Americans for the Arts, 2003). In many <br /> cases,this fund is designed to be a public and private partnership to encourage private firms to donate <br /> to public art initiatives. This fund was also commonly used to provide grant funding for public art <br /> projects. The common practice for this component is the establishment of a percent-for-art program, <br /> 22 <br />