My WebLink
|
Help
|
About
|
Sign Out
Home
Agenda - Parks and Recreation Commission - 01/09/2025
Ramsey
>
Public
>
Agendas
>
Parks and Recreation Commission
>
2025
>
Agenda - Parks and Recreation Commission - 01/09/2025
Metadata
Thumbnails
Annotations
Entry Properties
Last modified
3/13/2025 1:53:42 PM
Creation date
1/17/2025 10:52:29 AM
Metadata
Fields
Template:
Meetings
Meeting Document Type
Agenda
Meeting Type
Parks and Recreation Commission
Document Date
01/09/2025
Jump to thumbnail
< previous set
next set >
There are no annotations on this page.
Document management portal powered by Laserfiche WebLink 9 © 1998-2015
Laserfiche.
All rights reserved.
/
496
PDF
Print
Pages to print
Enter page numbers and/or page ranges separated by commas. For example, 1,3,5-12.
After downloading, print the document using a PDF reader (e.g. Adobe Reader).
View images
View plain text
construct their individual and collective reality. She writes, "For us, appearance-something that <br /> is being seen and heard by others as well as ourselves-constitutes reality." Further, it is the <br /> "presence of other who see what we see and hear what we hear (that) assures us of the reality of <br /> the world and ourselves . . . "(Arendt 1958, p.50) Second, she says that the term "public" <br /> describes "the world itself, in so far as it is common to all of us and distinguished from our <br /> privately owned place in it." (Arendt 1958, p.52) Public art, thereby, is one of the things in our <br /> world that we share in common. She states that, "to live together in the world means essentially <br /> that a world of things is between those who have it in common, as a table is located between <br /> those that sit around it; the world, like every in-between, relates and separates men at the same <br /> time." (Arendt 1958, p.52) By sharing the viewing of public art together, we all collectively `sit <br /> at the same table' and bring our individual private perspectives at the same time. Art creates the <br /> public environment that is respectful of individual interpretations of the common world that <br /> surrounds us. <br /> Art literature also refers to the concept of"public sphere" developed by Jurgen Habermas <br /> (1962). He describes the public sphere consisting of a body of private people that come together <br /> to rationally discuss common interests. Erica Doss (1995) invokes Habermas in her discussion <br /> of public culture, describing it as an ideal and detached realm distinct from the real-life tensions <br /> of politics, economics, and social difference. This model was viewed as a utopian and fictitious <br /> viewpoint that would rarely, if ever, be achieved in a capitalistic society that embraced <br /> consumerism, mass media, and corporate influence. Habermas (1962) argued that the advent of <br /> consistent political debate that characterized the American democracy of the 18th and 19th <br /> centuries resulted in consensus, not compromise. This consensus of public opinion would then <br /> influence the actions of the state and could not be ignored. The model relied on the assumption <br /> 30 <br />
The URL can be used to link to this page
Your browser does not support the video tag.