Laserfiche WebLink
uneven power relationships among social-economic groups. However, the installation of site- <br /> specific art acts as a counter force to art developed for mass consumption and does "generate a <br /> sense of authenticity and uniqueness of place" (Kwon 2002,p. 54). Placemaking itself relies <br /> upon a concept of collective memory and a shared representation of the past that is shared by <br /> specific social groups (Halbwachs 1992). The creation or preservation of a physical space that <br /> captures that shared memory is a means by which people are bound together, allowing them to <br /> communicate with each other. <br /> Over the course of history, the field of urban planning has used art as a tool for cultural <br /> and historical interpretation of sites, civic beautification, urban renewal, and image making. <br /> Some art projects in urban centers become the focal point, a tourist attraction, or an integral part <br /> of the City's brand. The Cloud Gate sculpture in Chicago and the Cherry on a Spoon sculpture <br /> in Minneapolis exemplify the ability of art to shape and define both public space and image for a <br /> community. The concept of place branding utilizes the connection of public art to the function of <br /> image building for the community. These efforts comprise a strategy by which city leaders seek <br /> to shape or remake the perception of the community. Peel and Lloyd describe the role of public <br /> art in placemaking, noting that public art and well-designed streetscapes "have an important <br /> contribution to make in the design of public spaces through giving a sense of identity and by <br /> enhancing a sense of place." (Peel and Lloyd 2007, p. 268) <br /> Pryor and Grossbart observe in their research that `marketplace symbols and rituals' are a <br /> key component of developing a brand identity. These `marketplace symbols' include public art <br /> as physical objects placed in the landscape that contribute to brand identity(Pryor and Grossbart, <br /> 2007). As symbols of a place brand it is important that public art used for this purpose is <br /> consistent with the intended brand and culturally coherent to the local community. Anholt <br /> 59 <br />