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metropolitan urban issues. Public art projects in this community were intentionally and <br /> specifically used to recognize and support contemporary social movements such as Black <br /> Lives Matter and minority populations living in the city. <br /> 6. Community B, as a regional free-standing growth community, had a majority of <br /> respondents recognize the important role of making the community an attractive <br /> destination for visitors, recognizing past and present figures important to the fabric of the <br /> community, and creating a vibrant, creative environment reflective of its status as a <br /> regional center. <br /> 7. Community B respondents noted the greater sense of creativity and the ability of public <br /> art to inspire creative problem solving. The perception and heritage of Community B as a <br /> rich, artistic community was valued by respondents. <br /> 8. Community C respondents emphasized the need to create a unique community identity <br /> and aesthetic enhancements for residents. As a growing exurban community, the public <br /> art respondents from Community C placed a strong emphasis of telling the city's story. <br /> This is reflected in the comment in regard to the public art being used to explain, where <br /> we are, who we are, and where we are going. The desire to promote the community to <br /> prospective residents and businesses and create community pride was also evident. <br /> 9. All communities are aware of, and accounted for, the ongoing maintenance and repair <br /> cost of public art. <br /> 10. All communities reported the existence of public opposition to the use of public dollars <br /> for public art. <br /> 114 <br />